New writers simply do not understand rewriting (Sigh). It comes as a shock to most of them that their first draft will be far from their last draft. I get it. I’ve been there. I know it’s a bitter pill to swallow.
But once a writer has gone through the entire process of taking a first draft and making it sparkle, not only does the piece transform, but the writer transforms. They see how what was once “good,” can now become “great” or “amazing.” And guess what? Rewriting, dare I say it, can become sort of addicting.
So, if you have completed a first draft and sent it out for feedback, we have two missions:
Keep you from falling into the dreaded Lack of Rewriting PIT.
What is this pit of which I speak? It looks something like this:
- Not rewriting from the first draft to the second (after getting notes on how much work it needs).
- Not rewriting as many times as the piece needs. (“Okay, I will write it again, but just once more.”)
- Contracting “But-I-just-want-it-to-be-done-itis.”
- Not understanding that every writer—yes, EVERY writer— rewrites.
Encourage you to embrace Feisty Rewriting.
Let’s go back to our premise for the series: Take the ego out and stay in creative motion.
Again—it may feel counterintuitive or nonsensical.
When I have discussed this idea with writers I often hear this type of thinking:
“Oh please, Marni. How on earth can I remove my ego if someone is critiquing my work? They are criticizing me!”
Let’s take a moment to look at that thought. I see writers blend the idea of “their work” with “themselves” all the time. But guess what? That is just the ego trying to lure you to the dark side of not moving forward and staying in delicious, creative motion.
If someone is criticizing you and not your work, get out, not the right place for you.
If someone doesn’t want you to succeed, get out, not the right place for you.
But if someone is critiquing your work and they want you to succeed, stick it out.
The truth is that your ego may feel bruised. After all, you tried your best, and someone is saying it can be better. It’s okay to feel that “ouch.”
But wait for a second—it’s not the end of the story for your piece! Someone is saying it can be better. Isn’t that what you want? Better? You want to stand out from the crowd. You want to make headway and move your career to the next level. So better will be easier to work with, right?
If you have come along with me this far (congrats!) it means you are ready to become a feisty rewriter.
How to Become a Feisty Rewriter:
- Take some time after receiving notes. Remember: you don’t have to, nor should you accept all notes. Otherwise, you will be traveling in many different directions trying to please every note giver. Time to let the notes sink in helps. (No matter what anyone says, you are not in a race.)
- Look for the common areas of agreement. If you had multiple readers, where did they agree?
- Pay attention to lateral movement. What’s that? Remember that almost every critiquer will have something to say. Some critiques will make the piece better. Some will just be different, but not better.
- Decide which notes feel authentic for you and the piece you are writing.
- Develop a plan. Work with a writing coach, trusted mentor, or writing group to create a new plan of attack.
- Don’t be afraid of a page one rewrite. This is where you start cursing at me. It sounds horrid, I know. But I have seen brilliance stem from many writers who took a step back, then approached their material with a new take or slant. None of it was wasted time. You can’t get to step two without step one.
- Reward yourself for staying in the process. (It’s a big deal!)
- Utilize your writing tribe to keep you on track.
- Remember that the process itself is part of the reward. Enjoy every small rewriting victory.
- Don’t let anything stop you, get in your way, or side track you from completing your next draft. You are a train in motion. And that is creative dynamism at its finest.
Photo Credit: https://unsplash.com/search/sparkle?photo=iDW-R3fSuhg